Dr Corinne Jola

Contact info

c.jola@abertay.ac.uk

+44 (0)1382 30 8756

Biography

My research merges Cognitive Neuroscience with the performing arts, i.e., dance, theatre and music. I am one of the founders of modern empirical psychological research in dance with over 15 years of experience in this interdisciplinary field.听听

I hold a PhD in Cognitive Neuroscience, and an MA equivalent licentiate in Psychology both from the University of Zurich. In addition, I am also a trained and practicing choreographer. I hold a MA with distinction in Choreography from Laban Trinity Conservatoire of Music and Dance and a postgraduate听degree in Dance Culture from the University of Berne.听听

好色tving the cognitive and neuronal responses in relation to the performing arts can provide us with extraordinary insights into the human brain and behaviour. How can a dancer train his or her mind to perform to absolute perfection? When do we experience presence? What does an actor do? The empirical study of such questions can provide us with basic psychological knowledge as well as a huge potential for impact. I am intersted in how dance can help improve the health and wellbeing for people in general and those who suffer from long-term mental and physical issues (i.e., rehabilitation of stroke patients, dealing with depressive symptomes, enhancing confidence and managing body image issues).听听

I鈥檝e been publishing my research on spectators' and dancers' brain and behaviour听in international peer reviewed journals and book chapters. I enjoy sharing my findings and fascination about the effects dance can have on the way we perceive ourselves and the world around us.I use behavioural experiments and qualitative research as well as brain imaging and transcranial magnet stimulation. Where possible, I base my research on 鈥榚mbodied practices鈥� 鈥� for more information see my website听.

Before joining Abertay University, I held Post-Doctoral research positions at the University of Glasgow, University of Surrey, and at INSERM in Paris. I collaborated with internationally acclaimed dance and theatre companies, such as EGIPC in Amsterdam, The Centre National de la Danse in Paris, Rosie Kay (UK), or Fabrique Autonomes des Acteurs, Bataville (F).听听

Leadership Roles

Research Group Leader Development, Evolution, and Learning (DVLE)
International Exchange Coordinator for Psychology
Debuty lead for Creative Industries & Cultural Vitality Challenge Space
External Partnership Engagement Lead (EPE)听
Debuty lead for Staff Engagement Steering Group Remit (SEAT)

Qualifications

2015 Fellowship of the Higher Education Academy
2008 MA Choreography (with Distinction): The Glories of Endurance; from Laban Trinity College London
2006 PhD Cognitive Neuroscience; Body Representation and Motor Imagery: Effects of Adaptability; University of Zurich, Supervisor Prof Fred Mast and Prof M.-C.Hepp-Reymond
2004 postgraduate Diploma in Dance Culture: Effects of Media in Movement Notation, Representation and Transformation; from the University of Berne
2002 Dance Teaching Diploma from IWANSON School for Contemporary Dance Munich
2001 MA (Licentiate) in Psychology, Cognitive Science & Media Science, University of Zurich & Freiburg i. Br

Research Positions

since 2019 Senior Lecturer at Abertay University Dundee, UK听
since 2014 Lecturer at Abertay University Dundee, UK
2012-2013 Postdoctoral Research Fellow, INSERM and Paris 8, Paris, France
2010-2012 Postdoctoral Research Fellow, Department of Psychology, University of Surrey, UK
2008-2010 Postdoctoral Researcher, AHRC funded interdisciplinary project: 鈥淲atching Dance: Kinesthetic Empathy鈥�, Glasgow, UK
2006-2007 Research Assistant, City University, on Tactile Attention, London, UK
2004-2006 Individual Research Fellowship awarded from Swiss National Science Foundation for research at the Institute of Cognitive Neuroscience (ICN) at University College London (UCL). Guest supervisor: Prof. P. Haggard; London, UK
2003-2004 PhD research. Supervisor: Prof. F. W. Mast (behavioural) and Prof Marie-Claude Hepp-Reymond at University of Zurich, Switzerland
2002-2003 Research Assistant Science & Technology in Intellectual Property at HE at the Swiss Federal Government Berne, Switzerland
2002 Research Assistant (part-time), Visual Perception and Spatial Attention Ludwig-Maximilians University Munich, Germany
1999-2002 Research Assistant at Swiss Federal Institute of Technology, ETH, Zurich (data Analysis and presentation of quantitative and qualitative research)
1994-2001 Studies in Psychology, Cognitive Science & Media Science, University of Zurich & Freiburg i. Br.

Teaching
Research

BACKGROUND
My teaching is research informed and I highly value critical reflection and discussion in applying findings from Psychology to contemporary听issues present in the 'real' world.

In 2015 I completed my听Certificate for Teaching at Higher听Education and followed a CPD in Teaching Dance. Since then,听I听aim to design modules that allow students to learn on听a cognitive and on an embodied level.听As part of a funded student research project, we explored the effects of the learning context (i.e., seating arrangements)听with the aim to continously advance听students' learning experience.

MODULES
I currently teach on the following modules:听

-PSY103: Evidence based thinking: Scientific approaches to studying human behaviour
-PSY208: Cognitive Perspectives on Psychology (Module leader)听
-PSY301: Biological Psychology and Individual Differences
-PSY303: Advanced Research, Design and Analysis
-PSY315: Evidence-based thinking: Advanced perspectives on human behaviour听
-PSY410: Honours projects (Supervision of approx. 6-8 honours projects studentseach year in various topics frequently around physical activity and somatic practices (yoga, mindfulness) and social interaction)
-PSY420: Work Placement module

Previously, I have been teaching on the modules of Applied Psychology and Masters Research Methods, and I led the module Individual Differences.听Until 2022, I also thought the option module PSY309: The Brain in Action: From Dance to Trance
This was an option module where students learnt about the human brain and behaviour in relation to dance and other creative practices. It included activities to embody different disciplines in order to strenghten students' understanding, provide them with research ideas and notably enrich their experiences of interdisciplinary research. With a number of visiting guest lecturers, students had the opportunity to gain insight into applied practices in neighbouring fields of Psychology which will widen their horizon for possible professional trajectories after studying.

MEETING ME
My office hours for Winter 2022/2023 are by appointment in Psychology on level 5 (The attic) on Friday's 2-3pm and on Thursday's 4-5pm.

Interests

My main research interest is in measuring听cognitive and emotional processes in real life events, in particular in the performing arts; and how our understanding of expertise and social interaction in the performing arts can beneft the wider public, such as in areas of health and wellbeing.

Over the last ten 15 years, I studied听cognitive and neuronal responses to watching dance and more recently in the practice of acting. I am interested in studying how we perceive and represent the body and its movements, in particular in relation to the performing arts and听I am fascinated by the effects dance participation has on the way we perceive ourselves and the world around us.听

Dance, for example, is an universal phenomenon with manifold functions. 好色tving the cognitive, neuronal, physiological, and pschosocial mechanisms in response to either watching dance or participating in dance can provide us extraordinary theoretical and applied insight into the human brain and behaviour. Understanding how dancers can remember movements, perform them easily in different directions in space, or express certain emotions and听evoke them in spectators,听can help us to enhance the life and well-being of people听with long term听physical and mental issues.听听听

To study the aesthetic perception of dance moves, I use behavioural experiments,听qualitative research as well as听brain imaging (fMRI) and transcranial magnet stimulation (TMS), see for example www.watchingdance.org. Previously, I have also employed electroencephalography (EEG) to study visuospatial and tactile perception and attention.

Overall, I am intrigued by听how research methods relate to their outcomes - and equally, how specific artistic practices link to artists' works. It is of no surprise that I see the future in interdisciplinary research and听that my current research emphasises neuroscientific measures and subjective experiences.听

Where possible, I听base my research听on embodied practices, hence, I call it 'embodied neuroscience'. See also my personal homepage on听.

Recently, with a link to perception and physical activity, my research has further expanded in the fields of food (e.g., Cognitive and behavioural neuroscience of appetite and food choices, psychological, and sensory and physiological influences on appetite and food choices, psychology and ethnography of dietary habits and related contents).

More Information

Funding

GRANTS AWARDED / FUNDED RESEARCH

2021-2022 Scottish Institute for Policing Research (SIPR) co-applicant for "Hearing seldom heard groups: Policing with empathy in conversation with LGBT and young people from disadvantaged backgrounds." Project leader J. Moir. 拢 13107
2021 Research & Knwoledge Exchange by the Scottish Funding Council (SFC). Project leader for "Kinaesthetic cognition in people with Parkinson's" 拢4463听
2017-2019 Carasso Fondation (France)听in collaboration with Fabrique Autonomes des Acteurs (project leader) and University of Rennes 鈧� 127鈥�550.
2018 ERASMUS Research Exchange to Netherlands Institute of Neuroscience. 拢 3700
2013-2014 Labex Arts-H2H (France). Project leader A. Bachrach. 鈧� 43鈥�869 (2013); total (3 years) 鈧� 157鈥�520 (yearly re-submission required).
2012 Santander fund (UK)听拢 2鈥�000.
2011 Pump Priming fund (UK) University of Surrey,听拢 6鈥�000.
2008 Rebekka Skelton Foundation (UK)听拢 600.
2004-2006 Research Fellowship from the Swiss National Science Foundation (SNSF) CHF 94鈥�800.
1997-1998 German Association for Academic Exchange (DAAD) 12鈥�000 DM.

Knowledge Exchange

REVIEWER

I act as a reviewer for the following journals:
Advances in Integrative Medicine; Consciousness and Cognition; Dance Research; Development Psychology; Experimental Brain Research; Frontiers in Psychology; Frontiers in Neuroscience; Journal of Cognitive Psychology; Journal of Dance, Medicine and Science; Journal of Psychology, Creativity and the Arts; Neural Plasticity; Phenomenology and the Cognitive Sciences; Psychonomic Bulletin & Review; Review for Research Quarterly for Exercise and Sport; Scientific Reports; and Techn茅: Research in Philosophy & Technology.

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PARTNERSHIPS/NETWORKS

I am the representative of Abertay University in the Dundee Dance Partnership () and initiated the Open Dance Dundee Network () of which I am still an active member.

Outreach

My research findings on the听effects of visual expertise on motor simulation when watching dance has attracted much attention in the wider public. Numerious interviews have been published internationally (i.e. The New York Times, Radio Germany) and听my research has been featured in a documentary French-Taiwanese听co-production ().

Through my work as a choreographer,听my scientific research also transpires into the artistic world of dance. I enjoy very much interacting with听inquiring minds from a variety of backgrounds. For more details on my artistic works see听.听

Recently, Lynn Parker and I participated in the Dundee Park Festival organised by thewith an interactive dance installation "Everybody Moves".听

Scientific presentations and other interviews that are freely accessible online:听

: Minded Motion Lab Google Hangout with Nancy Stark Smith, Corinne Jola and William Seeley
Presentation in London, Autumn 2013:听
Presentation in Paris (starts in French but I present in English), spring 2014:听听- Centre de Recherches sur les arts et le langage, "Le sensible 脿 l'oeuvre : savoir du corps entre esth茅tique et neurosciences"